Top critics, reviews and ratings

Betrayal |  Top critics, reviews and ratings

Betrayal | Top critics, reviews and ratings

The art of espionage has been brought to the big and small screen countless times, evolving in an exciting way after passing through the lens of countless directors, whose portraits from different angles and perspectives have kept alive the flame of the genre, from which they have become detached important franchises from popular culture such as James Bond, Mission Impossible and the saga bourne. One of the elements that all successful titles in this theme share is the presence of a protagonist with an adventurous spirit, full of both charisma and mystery, who is capable of carrying the weight of the story on his shoulders from beginning to end. In the case of Betrayal (70%), a new miniseries produced by Netflix that has arrived this weekend on the platform, Charlie Cox changes Daredevil’s crimson red outfit (98%) for a tailored suit to offer us a thriller cardiac in which he assumes the responsibility of becoming a convincing agent equal to the great icons of Hollywood.

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The series, created by Matt Charman (Bridge of Spies (91%)), follows Adam Lawrence, an agent trained by MI6 whose career seems consolidated. Until suddenly his past returns in the form of Kara, a Russian spy, and he is forced to question everything and everyone around him. Kara, Adam, and Adam’s wife, Maddy, forge a three-way relationship as they all try to uncover each other’s secrets and manage their political and diplomatic connections while clinging to their privacy and loved ones. In the cast we can find CoxOlga Kurylenko, Oona Chaplin, Ciarán Hinds, Beau Gadsdon, among others.

The series debuted to mixed reviews, calling it intense and exciting at its best, though uninnovative and generic at its worst. Below, we’ll tell you in detail what journalists are saying about this title and why you should (or shouldn’t) give its psychological game a chance.

On the positive spectrum, reviews say that Treason it’s fast-paced, often silly spy fun, but its greatest strength is in the unusual relationship and its power dynamic at the center. Although it doesn’t feature anything we haven’t seen before, it’s worth giving it a shot to journalists for its execution and presentation coupled with the efforts of the actors: Cox he is deeply committed to the concept of the program, Kurylenko has a solid screen presence although his character is developed superficially and Chaplin for many it offers the best performance of the entire series. According to the media, another of the show’s strengths is its brevity, with only 5 episodes to unfold, the story moves at full speed and never loses the momentum that makes the pilot feel so compelling.

However, in the pole of negative reviews we find that the characters are as poorly outlined as the plot, which makes it Treason sits like a copy of the copy of other better made spyware. On the other hand, pundits say the show feels emotionally hollow, so when a character dies or some unexpected twist occurs, the shock wears off quickly. What lasts even less time are the action sequences of the series, which are forgotten as soon as the show concludes. When it comes to writing, reporters stress that spy dramas fall into two essential categories: cerebral and biting. However, the miniseries Charman it is neither of these things, being too superficial to introduce any nuance and too hackneyed to sustain any tension. It is said that for a show about intelligence, this unfortunately lacks it.

In the end, while Betrayal (70%) works very well as a compact five-episode tale with a standard but entertaining story and committed performances, it doesn’t quite measure up to the other new spy offerings out there.

Here is a compilation of reviews and reviews for Betrayal (70%):

Also read: Daredevil: Born Again will have more legal drama than the Netflix series, says Charlie Cox

Abhishek Srivastava from Times of India:

Betrayal, unfortunately, lacks the cerebral appeal that most spy dramas have. The ‘betrayal’ is more of an indulgence that seems like a fun ride only until you don’t invest in it.

Ashima Grover from Leisure Byte:

The release of Betrayal today doesn’t feature anything we haven’t seen before, but still, its execution and presentation coupled with the efforts of the actors make it worth watching…

Josh Bell’s CBR:

The characters are as sketchy as the plot, making Betrayal feel like a third-generation copy of a top-tier British spy series.

Umar Ali from The Upcoming:

Betrayal is a perfectly adequate spy show that doesn’t do anything surprising or impressive, which is an awkward situation for a spy thriller.

vicky jessop from standard:

This is exciting, breathless, and full of twists and turns, but it doesn’t quite measure up to the other new spy offerings out there.

Daniel Fienberg from The Hollywood Reporter:

There are elements of political intrigue, set against the backdrop of a British election, but nothing deep enough to count as nuance.

Chris Vognar of datebook:

There’s nothing wrong with entertainment, of course; sometimes it’s all you want. But a show like “Treason” could easily go higher (John le Carré is still the gold standard for this kind of material) and it’s frustrating when it doesn’t.

Bethany Lola from loud and clear:

If you’re looking for a limited series that you can watch over a weekend, Betrayal is the perfect route to go. What’s not to love about an espionage drama packed with great acting and a baffling story?

Vikas Yadav from Midgard Times:

Betrayal is emotionally hollow, so when a character dies, you’re momentarily shaken. What lasts even less time are the scenes of the series. You forget about everything as soon as the show is over. I’m sure even actors would like to erase their memories from their minds.

Alberto Fixed from row seven:

Charlie Cox, Oona Chaplin and Olga Kurylenko confidently assume the leading roles in an interesting plot, with an acceptable premise that falters in the construction of characters and in the management of information: some attitudes of the protagonists are hardly credible.

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