Dangerous Liaisons: All about the sets of the new series

Michelle Pfeiffer and John Malkovich in a scene from the film Dangerous relationships from 1988. Archive Photos / Getty Images.

What palette did you work with to give the project a homogeneous visual touch?

“I built the entire Marquise de Merteuil mansion inside an old palace, which gave me the freedom to choose the color palette and adapt the design of the furniture I wanted. For the other mansions, however, we adapted the color scheme already present and based on this we furnished the houses with curtains, rugs, furniture and paintings that would complement it and at the same time reflect the personality of the people who lived there. Then we worked with the wardrobe department to channel the same energy”.

How did you find a common thread between the deepest contrasts?

“In Paris, the poor area was once a rich area, but then the rich moved elsewhere in search of healthier air, with gardens and more space. So the poor settled in their old homes. Our reconstruction of the run-down area of ​​the city mixes medieval estates with more recent buildings to give the idea of ​​neighborhoods like the Marais and Saint Michel.If we look, for example, at the building in which the closed house of Madame Jericho is located, we immediately see how the buildings show layers and layers of history, with different styles until new houses were built with a certain uniformity.

The salon of the Marquise de Merteuil.

Dusan Martincek.

The residence of the Marquise de Merteuil is the heart and soul of the story. What style has?

We go through many trials and color tests. The bedrooms exude cool tones, while the living rooms have darker tones. Jean’s surroundings are opulent and darker, the Marquise’s bedroom having an almost glacial quality, which is instead warmed in her private areas.

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